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Alessio Nanni
United Kingdom
Приєднався 22 вер 2006
Living my life, always looking forward.
Loving Art and Technology.
Music, photography, filming and producing new content experimenting new ways.
My piano: Steinway & Sons Mod. B 211
My piano technician: Giulio Passadori
www.passadoripianoforti.it
My Computer: Macbook Pro 15, custom-design Hackintosh Intel 6-core
My Cameras: Sony NEX5, Nikon D300s, Nikon D700, Fujifilm X-Pro1, Panasonic HDC
My music production company: www.whitenoisefactory.com
My credits: bit.ly/AlessioNanni_IMDB
Social:
bit.ly/AlessioNanni_INSTAGRAM
bit.ly/AlessioNanni_FACEBOOK
Loving Art and Technology.
Music, photography, filming and producing new content experimenting new ways.
My piano: Steinway & Sons Mod. B 211
My piano technician: Giulio Passadori
www.passadoripianoforti.it
My Computer: Macbook Pro 15, custom-design Hackintosh Intel 6-core
My Cameras: Sony NEX5, Nikon D300s, Nikon D700, Fujifilm X-Pro1, Panasonic HDC
My music production company: www.whitenoisefactory.com
My credits: bit.ly/AlessioNanni_IMDB
Social:
bit.ly/AlessioNanni_INSTAGRAM
bit.ly/AlessioNanni_FACEBOOK
Erik Satie Gymnopédie 1 - Alessio Nanni
Erik Satie Gymnopedie No 1 Performed by Alessio Nanni, piano.
Satie Gymnopedie 1 was recorded at ©WHITE NOISE FACTORY on November 24th 2020.
Published by White Noise Factory Publishing, BMI Music.
www.whitenoisefactory.com/
All Rights Reserved.
Piano: Steinway & Sons Mod. B211 'Klingsor'.
Piano technician: Giulio Passadori
www.passadori.it/
Satie Gymnopedie 1
Erik Satie composer of Gymnopédie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
Erik Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie Gymnopedie 1.
The word gymnopédies was derived from a festival of ancient Sparta at which young men danced and competed against each other unencumbered by clothing, and the name was a (presumably) droll reference to Satie's gentle, dreamy, and far-from-strenuous piano exercises.
Satie’s vision of the piano’s strengths was minimalist and abstract. The mood of the three works is stately and serene, almost drifting from one moment to the next. Each of the three examines a common theme from a different perspective. Claude Debussy, who was an older contemporary and a friend, later orchestrated Gymnopédies No. 3 and No. 1.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedie are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
(Source: Wikipedia)
Satie Gymnopedie no1.
Erik Satie Gymnopedie 1.
Satie Gymnopedie 1 was recorded at ©WHITE NOISE FACTORY on November 24th 2020.
Published by White Noise Factory Publishing, BMI Music.
www.whitenoisefactory.com/
All Rights Reserved.
Piano: Steinway & Sons Mod. B211 'Klingsor'.
Piano technician: Giulio Passadori
www.passadori.it/
Satie Gymnopedie 1
Erik Satie composer of Gymnopédie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
Erik Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie Gymnopedie 1.
The word gymnopédies was derived from a festival of ancient Sparta at which young men danced and competed against each other unencumbered by clothing, and the name was a (presumably) droll reference to Satie's gentle, dreamy, and far-from-strenuous piano exercises.
Satie’s vision of the piano’s strengths was minimalist and abstract. The mood of the three works is stately and serene, almost drifting from one moment to the next. Each of the three examines a common theme from a different perspective. Claude Debussy, who was an older contemporary and a friend, later orchestrated Gymnopédies No. 3 and No. 1.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedie are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
(Source: Wikipedia)
Satie Gymnopedie no1.
Erik Satie Gymnopedie 1.
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Відео
ESPACE COSMIQUE - Hommage à Vangelis - ALESSIO NANNI
Переглядів 9 тис.5 років тому
Espace Cosmique is a contemporary electronic work for piano, orchestra and synthesizer composed by the italian composer Alessio Nanni. An open love letter to the golden age of electronic music which inspired generations with epic sci-fi scoring such as Blade Runner. A tribute to Vangelis. Dedicated to the greek composer Vangelis, endless source of beauty and inspiration. Recorded and produced b...
Fly Back - Alessio Nanni
Переглядів 13 тис.7 років тому
Fly Back Original music composed by © Alessio Nanni All Rights Reserved - BMI Music Shot between Los Angeles and Zurich. Piano: Steinway & Sons Camera: SONY NEX5 Produced by White Noise Factory, London
ERIK SATIE Gnossienne 4 - Alessio Nanni
Переглядів 141 тис.8 років тому
Erik Satie Gnossienne 4 performed by Steinway Artist Alessio Nanni, piano, Italy. Gnossienne nr.4 by Satie, one of the most mysterious composition by the genius of Erik Satie, dated 1891. Satie's coining of the word "gnossienne" was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. The word appears to be derived from "gnosis"; Satie was involved ...
Alessio Nanni - '13 Lives', for piano, cello, orchestra and electronics
Переглядів 9 тис.8 років тому
13 Lives for piano, cello and orchestra. Music by Alessio Nanni Solo piano, solo cello, string orchestra and live electronics. Produced by WHITE NOISE FACTORY © 2015 Alessio Nanni BMI Music Synaesthesia Visuals and animation produced by WHITE NOISE FACTORY All Rights Reserved
ERIK SATIE Gnossienne 3 - Alessio Nanni, piano
Переглядів 638 тис.10 років тому
Satie Gnossienne 3. The Gnossienne no. 3 by Erik Satie is preformed by italian pianist and composer Alessio Nanni. French composer Erik Satie composed Three Gnossiennes around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely; the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versio...
MORNING WAVE - LOS ANGELES - Alessio Nanni
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Video shot in Los Angeles, CA. Instant editing in one day. 'Morning Wave' - Original music composed by © Alessio Nanni 2014 - BMI Music. All rights reserved. Produced by WHITE NOISE FACTORY www.whitenoisefactory.com
ONE SHORT WINTER - LOS ANGELES - Alessio Nanni
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ONE SHORT WINTER - LOS ANGELES Music composed by © Alessio Nanni. All rights reserved - BMI Music Shot in Downtown, Los Angeles, april 2013. Video shot and edited in one day. 'Morning Wave' - Original music composed by © Alessio Nanni 2014 All rights reserved. BMI Music. Produced by WHITE NOISE FACTORY Published by jinglepunks.com/
LONDON TIME LAPSE - Alessio Nanni
Переглядів 11 тис.10 років тому
London time lapse project called THE ANALOG SKY is a short time lapse movie directed by Alessio Nanni. Shot in September 2013 in London UK, The Analog Sky is entirely shot in London and relized in time lapse. 5 days no-stop London shooting. More than 6000 pictures shot on Nikon D300s Camera for a super high quality time lapse. 4 weeks of post-production for 3 minutes of stunning photographic qu...
ADAGIO BIANCO by Alessio Nanni - 2013 [HD]
Переглядів 13 тис.11 років тому
ADAGIO BIANCO for orchestra. Music composed and produced by Alessio Nanni. Animation developing: Alessio Nanni at WNF Laboratory. © Alessio Nanni - BMI Music. Published by WHITE NOISE FACTORY PUBLISHING. All Right Reserved.
Rachmaninov prelude op 32 no 5 in g major - Alessio Nanni at Steinway Hall London HD
Переглядів 365 тис.11 років тому
Rachmaninov prelude op 32 no 5 in g major performed by the italian pianist Alessio Nanni. Video recorded at Steinway Hall London, UK. November 8th 2012. Make sure your HD settings is ON. We suggest to wait until the video is fully downloaded before start watching. Please fullscreen it. Produced by © WHITE NOISE FACTORY Piano: Steinway & Sons, Concert Grand mod. D Special thanks to Maura Romano ...
Frédéric Chopin Mazurka op. 17 no 4 in a minor - Alessio Nanni LIVE
Переглядів 22 тис.12 років тому
Frederic Chopin Mazurka op. 17 nr. 4 in a minor by Alessio Nanni Piano: Steinway & Sons B model Live Recording | First Official Release | December 15th 2011 This video in hd format is iPad 2, iPad 3, iPhone 4, iPhone 5 Android ICS ginger bread devices compatible. Produced by © WHITE NOISE FACTORY 2011 Photography by © Cosimo Filippini All Rights Reserved
Franz Liszt Ballade no 2 in b minor - Alessio Nanni piano
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Franz Liszt Ballade nr 2 in b minor. Steinway Artist Alessio Nanni, piano. This piano work unquestionably represents the beauty of darkness in one of Liszt's most intriguing rendering ever. Unexplainably this Ballade is also one of his great neglected piano work ever. This piano work is based on a Byzantine myth, 'Hero and Leander', relating the story of Hero, a priestess of Aphrodite who dwelt...
Rachmaninoff prelude in c sharp minor op 3 no 2 - Alessio Nanni
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Rachmaninoff prelude in c sharp minor op 3 no 2 performed by the italian pianist and composer Alessio Nanni. Synaesthesia is a new and experimental project all around the new-media visual performance in real time applied to the classical music repertoire. This is a huge topic, already part of previous and important studies that involved many artists in the pasts. Kandinsky once said: "Color is ...
Alessio Nanni - Speaking of Electronic Music
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Alessio Nanni - Speaking of Electronic Music
Chopin Scherzo No 1 op 20 in b minor - Alessio Nanni [HD]
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Chopin Scherzo No 1 op 20 in b minor - Alessio Nanni [HD]
Sergei Rachmaninov Prelude op 32 no 10 in b minor - Alessio Nanni, piano [HD]
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Sergei Rachmaninov Prelude op 32 no 10 in b minor - Alessio Nanni, piano [HD]
CHOPIN - Nocturne no.20 in c-sharp minor (Op.Posth) - Alessio Nanni
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CHOPIN - Nocturne no.20 in c-sharp minor (Op.Posth) - Alessio Nanni
BEETHOVEN 32 variations in c minor by Alessio Nanni, PIANO [2/2]
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BEETHOVEN 32 variations in c minor by Alessio Nanni, PIANO [2/2]
BEETHOVEN 32 variations in c minor - Alessio Nanni piano [1/2]
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BEETHOVEN 32 variations in c minor - Alessio Nanni piano [1/2]
Edvard Grieg: 'In My Homeland' by Alessio Nanni
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Edvard Grieg: 'In My Homeland' by Alessio Nanni
Edvard Grieg: Valse-Impromptu by Alessio Nanni, PIANO
Переглядів 28 тис.14 років тому
Edvard Grieg: Valse-Impromptu by Alessio Nanni, PIANO
ERIK SATIE Gnossienne 1 - Alessio Nanni, piano
Переглядів 4,8 млн14 років тому
ERIK SATIE Gnossienne 1 - Alessio Nanni, piano
Magnifique sublime bravo 👏👏👏👏👏👏
This simple and graceful and attractive music of Satie are a refreshing tonic for the soul
Such skill, beauty with the gentleness of touch. Wow.
I find this piece hypnotic, almost haunting....beautiful!❤
Obra majestuosa
Oh my god
GUALA GUALA
Yine iş başa düştü 🇹🇷
Создать тишину звуками... Это магия
❤
Such a good perfomance! Thank you a lot
❤
Music and the notation of music has a singular effect on what is lazily called the human "soul",but is in reality utterly indescribable. Saties music has the effect of seeking out the empty,lost chambers of one's heart- it's simplicity is the undoing of all of us
Yes indeed best interpretation ever! Particularly the very confusing independence in character, accentuation and pace of the two hands..
مقام الحجاز IS touching.
Pufff, maravilloso. Perdí la cuenta de las veces que he venido a ver el vídeo 👍
Fantastic performance 🎹
This piece of art matches any evenement.
Played too quickly.
<•••>
Lei è italiano? (Alessio Nanni)
oh man
My 10y old daughter just succeeded in piano competition with Gnossienne 1 and she also received special award for the best piece interpretation. The main reason was that she was trying to observe the way you play it. Thanks for the inspiration, you play that piece amazingly. Now she started to learn Nocturne 20 and I am sure this video will be another inspiration for her.
So good ❤🎉 but it sound lite vitt scarie like night mare's 🌑👹💀a little bit scary 😮😅😅😅😅😅😅😅😅😅😅😅😅
Hi
I know what you mean but it is also relaxing too I think
i will not lie, i’m here bc of geazy…
ca cest que jaime merci
Для меня это лучшее исполнение. Спасибо.
Un amore
Esto lo leí una vez en internet hace un tiempo… infinitamente enamorada de esta composición 💜 “Lento y suave, lento y triste, lento y doloroso. Tres piezas, tres títulos. Las Gimnopedias enamoran. Propician romances verdaderos.”
Iedere keer weer waan ik mij in oosterse sferen als ik dit weer hoor. Melancholiek word ik .. beetje weemoedig.
❤❤
Turn off the light, great, great performance. Thanks for all....
Thank you
Плохо, манерно.
God I love to speak french
Just 3 chords...
Aaron me debes una cerveza
J’aimerais parler
i hear, Chopins heart in yhis way.... Im here not there the place i love the times of joy alas exhilaration of the thought of home. Happy times, joy! and then the fact of loss, sorrow, the grief of loss and ending in alas, i am here, not the place of my joy.. ending in reality of what is, his grief and sorrow --- My intereptration of this piece given to us by Chopin and your execution of his emotions❤ play on🎉
This has played as a background for my life for the past 2 weeks. It’s beautiful and haunting and makes me feel like I am watching a movie (my own life) with this playing. I absolutely love it and am also ready for it to stop playing in my head. 😂♥️
Satie was very influenced in this particular piece by Gypsy music.
Sometimes I want to just leave this on replay but there's a large cliff in my backyard. 😁
J’ai plus l’euphorie du premier jour J’ai baissé mes degrés Celle ci a pris un long séjour Laissant avec elle les regrets Le coeur meurtri j’monte dans les tours Je sens plus les agrés Elle est partie ne me quitte pas mon amour c Car je t’aime malgré Le premier chagrin Bon ni
My dad died suddenly in 2004. This melody expressed the desolation of his loss, and yet was strangely comforting. Such is the power of this wonderful music. 😢😮
I try to find you performing each piece I am learning as you play beautifully and with emotion. The last pieces I learnt were satie’s Gnossiene, I particularly love the tempo you choose suits me perfectly. Thank you for posting ❤
Guala guala 😅
ERIK SATIE Gnossienne 1 je neosporni dokaz superiornosti klavira, gdje nizom ponavljanja taj instrument u pravim rukama, postaje kozmičkom silom koja nas tjera na vječita ponavljanja. Broj kombinacija pritom je beskrajan, upravo poradi te svoje jednostavnosti. U svakoj noti pronalazim nešto fascinantno, a ujedno i mistično. Svi Gnossienne su čudesni no 1 je poseban.
❤❤❤
Mr. Alessio you knocked this out of the Park. This is so powerful. I don't know how to play the Plano. A friend gifted me a Roland. Its time to take it out and use it...
🎉 Season Greetings!!! And a happy New Year to you!!
Thank you for that great performance! Subscribed!